Residence for F.A.D.S
This home was designed for an art appreciator and amateur artist who wanted a “house like an art museum”. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures. One of the main concepts is 'Seamless Spatial Composition'. You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
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Press releases for The House for Contemporary Art are now accessible in these languages: English.
Proudly offering The House for Contemporary Art project translations in several languages: Residence EN, Koshuis AF, Rezidenca SQ, መኖሪያ AM, السكن AR, Բնակավայրը HY, Iqamətgah AZ, Egoitza EU, Рэзідэнцыя BE, বাসস্থান BN, Rezidencija BS, Резиденцията BG, နေထိုင်ခြင်း MY, La Residència CA, Ang Pinuy-Anan CEB, Nyumba NY, 住宅 ZY, 住宅 ZH, Residenza CO, Rezidencija HR, Rezidence CS, Bolig DA, Residentie NL, Loĝejo EO, Elukoht ET, Asuinpaikka FI, Résidence FR, ' Ann An Àite-Fuirich GD, A Residencia GL, რეზიდენცია KA, Residenz DE, Η Κατοικία EL, રહેઠાણ GU, Rezidans HT, Wurin Zama HA, Ka Noho ʻana HAW, מגורים HE, निवास HI, Qhov Chaw Nyob HMN, A Lakóhely HU, Búseta IS, Ebe Obibi IG, Tempat Tinggal ID, Áit Chónaithe GA, La Residenza IT, 住宅は JA, Omah JV, ನಿವಾಸವು KN, Резиденция KK, លំនៅដ្ឋាន KM, Gutura RW, 주거는 KO, Îqamet KU, Резиденция KY, ທີ່ຢູ່ອາໄສ LO, Residentiae LA, Rezidence LV, Rezidencija LT, Residenz LB, Резиденцијата MK, Trano Fonenana MG, Kediaman MS, താമസം ML, Residenza MT, Ko Te Noho MI, निवास MR, Оршин Суух MN, निवास NE, Bolig NO, ବାସସ୍ଥାନ OR, استوګنځی PS, سکونت FA, Rezydencja PL, Residência PT, ਨਿਵਾਸ PA, Resedinta RO, Резиденция RU, Fale Nofo SM, Резиденција SR, Pekugara SN, رهائش SD, නිවසේ SI, Rezidencia SK, Rezidenca SL, Degenaanshuhu SO, Bodulo ST, La Residencia ES, Padumukan SU, Makazi SW, Bostad SV, Ang Tirahan TL, Манзил TG, குடியிருப்பு TA, Резиденция TT, నివాసం TE, ที่อยู่อาศัย TH, Konut TR, Ýaşaýyş Jaýy TK, Резиденція UK, رہائش UR, تۇرالغۇ UG, Turar Joy UZ, Cư Trú VI, Bensaernïaeth CY, Wenplak FY, Indawo Yokuhlala XH, וווינאָרט YI, Ibugbe YO, Indawo Yokuhlala ZU, tailored for your needs.
Our The House for Contemporary Art articles are prepped and available in these languages: English, Italian, German, Chinese (Mandarin), Hindi, French, Turkish, Arabic (Standard), Indonesian, Spanish, Portuguese, Korean, Japanese and Russian, ready for your use.
SEAMLESS SPATIAL COMPOSITION You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum. RESPONSE TO THE ENVIRONMENT The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action. Our second thing was to create good airflow.
House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
Reinforced Concrete 1 Story
To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
Fukui Prefecture, JAPAN
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
Hiroshi Ueda, F.A.D.S
The House for Contemporary Art Residence has been a Golden winner in the Architecture, Building and Structure Design award category in the year 2015 organized by the prestigious A' Design Award & Competition. The Gold A' Design Award is granted to designs that demonstrate a high level of innovation and a significant impact on their intended audience. Recognized as a major achievement by the A' Design Awards, these designs are characterized by their visionary approach and the exceptional skill of their creators. Winners of the Gold A' Design Award are noted for their ability to push the envelope in art, science, design, and technology, delivering solutions that not only meet but exceed expectations. These designs serve as benchmarks for excellence, encouraging further innovation and inspiring future generations of designers.
Ryumei Fujiki and Yukiko Sato was recognized with the coveted Golden A' Design Award in 2016, a testament to excellence of their work The House for Contemporary Art Residence.
Discover Ryumei Fujiki and Yukiko Sato's journey through our press releases, available for all press members and journalists to use without restrictions. Journalists, gain instant access to 4 press releases today.
Ryumei Fujiki and Yukiko Sato reveal a unique residence designed as a house like an art museum, blending seamless spatial composition and environmental responsiveness in Fukui Prefecture, Japan.
Discover outstanding design and award-winning initiatives in the Ryumei Fujiki and Yukiko Sato Newsroom.
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